Megapixels do not matter
I thought (hoped) that the general public knew this years ago. Sadly, they didn't. I'm amazed how many of my own friends have been very impressed that I bought a
14 megapixel camera.
The reality is that such numbers mean next to nothing. You only need about 4 megapixels to make a good 8x10 - or any size above that! Why? After 8x10 people no longer look at photos from "reading distance" but instead they stand back. To demonstrate this fact, today's normal movie theater digital cinema technology - "2K" - is 2048*1080 pixels. That's about 2.2 megapixels. And it's used to fill a movie screen! A movie screen you probably think looks absolutely fantastic... Granted, movies have the benefit that they're flashing by you very quickly giving you little time to analyze - that's why I said 4 megapixels for good quality still photos.
The great benefit of added resolution is cropping flexibility. What if I don't want the whole frame? More pixels let me crop out the edges and still get the 2-4 megapixels required for great results. So, why then isn't a 14 megapixel compact camera meaningful at least for cropping? Because you need each pixel to be good, meaningful, quality image data. With 14 megapixel cameras, that requires high-quality, razor-sharp optics. Not the kit lenses most DSLRs come with, and certainly not the built in lenses on a compact camera. This camera does not produce 14 million good, quality, image detail pixels. In fact, it produces substantially less actual image detail than my 8 megapixel Canon
EOS Rebel XT
. Of course, that shouldn't surprise anyone. But yet, it continually does. I just had to get this little pet peeve of mine out of the way. More pixels in compacts that don't have the optics for them help extremely little (and may cause harm by reducing the light sensitivity of each pixel!). Now, I'd love to have the new 15 megapixel
Canon EOS Rebel T1i 
- but that's because I have the
$380 lens 
required to make use of those pixels, if I had them. P.S. if you do happen to have a Canon EOS DSLR camera, go buy the
85mm f/1.8 lens
- it's well worth the $380 and is an amazing portrait lens.
Running Around With The DSC-W350
No, it's not as tack-sharp as a DSLR. But, in reality, the DSC-W350 has some features that let me get consistently BETTER snapshots than I do with my Rebel XT. One, it's pocketable. The best camera is the one you have with you. That's why my
Olympus 850SW 
is an indispensable device. It can go where other cameras can't.
My cell phone
has also taken some of my favorite pictures. Do I wish those pictures were taken with better cameras? Sure, but they weren't and if it weren't for those cameras they'd not have been taken at all. The DSC-W350 can go most places, and takes far better images.
Sony offers the technical expertise to make snapshots better. The face detection works, and it works well. Face detection, while not magical, reduces the chance of the autofocus focusing on an unintended subject by looking for human facial patterns and prioritizing autofocus on those.
Another feature that I only briefly touched on in my previous post is Sony's DRO - Dynamic Range Optimization. We've all seen the cool HDR - High Dynamic Range - pictures. Well, don't expect that from DRO. True HDR images require multiple exposures of the image sensor. Careful placement of the camera, nothing moving in the frame, etc. They're quite magical for the right scene but very difficult. If you've shot with a DSLR, you likely know that similar but less dramatic results are available by using a camera RAW image and custom tweaking in post processing of fill light/highlight recovery/gamma. That what DRO does. It applies that type of processing automatically, in the camera, before recording the JPEG. It is, um, well - I generally like it but try shooting with and without it. Like actual HDR, it is NOT for every scene and is not a magic bullet. I've ruined some photos by making a bad habit of leaving it on because of how cool it CAN look. Don't do that. Use it when it'll help your image - and only then.
Next, optical image stabilization. Quite frankly, in a great many situations, this is the difference between a sharp picture and hand-shake blur. And it works - really, really well. Enough that in casual low-light snapshooting I'd prefer the Sony to my (non-stabilized) Rebel XT... (yes, I know, they make IS lenses for it...)
Finally, the last factor that Sony provides is the speed of their Bionz image processor. Sony compact cameras feel fast. And in general, the DSC-W350 is no exception. Portability, autofocus reliability, image enhancement, and speed are all factors in getting a good snapshot. And they're factors Sony gets right.
I have posted far more pictures to my Flickr account,
go check them out. None are edited in anyways. A tiny bit of post processing can make most of them look far better.
One More Thing...
All things have trade offs. In addition to the lack of waterproofing, there is one more "gotcha" with this camera. White balance. The automatic white balance struggles in mixed light situations. If this was better, the camera would take noticeably better out-of-the-camera snapshots wherever you go. No camera is perfect at auto white balance - that's why there's manual settings and custom white balance. But it does seem like an area where effort at major improvement would help all camera manufacturers much more than the latest zillion-pixel sensor that compact cameras don't have the optics to take advantage of.
However, it is a great compact camera and I would not hesitate to recommend
you buy one today
. In addition to pink, it's also available in
black
,
silver
, and
blue
.
Happy snapping,
Mark